PJ Holden writes up an excellent analysis of a page layout and composition;
I think, the important thing is we read let to right, but only when there’s something to “read” — failing that we go searching for something of interest. In the case of panel one, my eyes scan down until we get to the mutant, whereupon I read and move towards Dredd. Panel two, I think, naturally, I follow the eyeline of the mutant to Dredd (and I read his body and end at the knee — oddly). Panel 3 focus goes from Dredd’s chin to the bit of the Helmet he’s working on. And Panel 4 doesn’t really force the reader to any particular point — save around the mask — below the “S” shape (whereupon they’ll be met by the dialogue).
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